Mapplethorpe and the question of beauty

Since the mid 20th-century and perhaps earlier, depending on the art form and how radical the practitioners, beauty as a feature of high art has been suspect. Beauty, it’s claimed and with reason, soothes and distracts, makes us accept the unfair and corrupt in our society and revel in the gorgeousness of art before all things. Beauty is easily duplicitous. Certainly Triptych (Eyes of One on Another), which played at CalPerformances’ Zellerbach Auditorium this past weekend,...

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Hats off to A.C.T.’s “Top Girls”

What makes Caryl Churchill’s plays great is that they explain nothing. They present complex and even painful situations as matters of fact to be looked at and examined without the interference of an obvious agenda on the part of the playwright. Interpretation is left to the director, actors and audience. Exemplary of this approach to theater is Top Girls, which opened at A.C.T.’s Geary Theater this past weekend. The play premiered in London in 1982, in the midst of Margaret...

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Mark Morris meets Mozart

Mark Morris Dance Group, long loved by audiences in Berkeley, presented the choreographer’s Mozart Dances this past weekend at Cal Performances’ Zellerbach Hall. The company premiered the work at the Lincoln Center in New York City in August 2006, and performances in Berkeley followed soon after. The dance is set to two piano concertos and a sonata for two pianos by Mozart. The formidable Inon Barnatan was the pianist, and the Berkeley Symphony was directed by long-time MMDG...

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A warm and colorful “Midsummer Night’s Dream”

Marin Shakespeare Company performed Shakespeare’s delightful comedy Midsummer Night’s Dream this past Sunday. The show is the third and last of their summer festival in what is now their 30th year of producing and performing plays, the majority of which were written by Will Shakespeare. The company is at a turning point made possible by an anonymous donor who offered $2,000,000 as the lead gift in a capital campaign in 2015. Since then the company, under the continuing...

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The beauty of “Billy Budd”

Out of the near dark an old man hobbles slowly to the front of the stage. With a light illuminating only his face and chest, creating the image of an unfinished man, a half of a man, he begins his story. He is Captain Edward Fairfax Vere, who commanded the British warship “Indomitable” during the Napoleonic Wars. And he is filled with self-doubt and remorse as he looks back at his failure as a leader of men. Vere will also close Benjamin Britten’s opera Billy Budd, because...

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